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            <loc>https://artguideindia.com/journal/a-weaving-cluster-rethinks-who-gets-named-on-the-label</loc>
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                    <image:loc>https://artguideindia.com/asset/articles/weaving_artisan.jpg</image:loc>
                    <image:title>A weaving cluster rethinks who gets named on the label</image:title>
                                            <image:caption>Master weaver Gopal Das at his pit loom in Maheshwar, Madhya Pradesh. The warp takes four days to set before the first inch of silk is woven.</image:caption>
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            <loc>https://artguideindia.com/journal/how-to-read-a-temple-wall</loc>
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                    <image:title>How to read a temple wall: the figures, the stories, the order</image:title>
                                            <image:caption>The friezes of the Chennakeshava temple at Belur, Karnataka. Every horizontal tier follows a precise cosmic hierarchy, from elephants grounding the base to celestial dancers above.</image:caption>
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            <loc>https://artguideindia.com/journal/a-regional-museum-reopens-with-new-labels-and-a-quieter-layout</loc>
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                    <image:title>A regional museum reopens with new labels and a quieter layout</image:title>
                                            <image:caption>The reorganized sculpture wing at the state museum, where overcrowded vitrines have been replaced with dedicated plinths and bilingual contextual labels.</image:caption>
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                    <image:title>A day with the block printers: wood, water, and mineral clay</image:title>
                                            <image:caption>Master printer Ramswaroop Chippa aligning a carved sheesham wood block in Bagru. The rhythm requires precision within a single millimetre.</image:caption>
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            <loc>https://artguideindia.com/journal/the-living-courtyards-of-sanganer-and-bagru</loc>
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                    <image:title>The living courtyards of Sanganer and Bagru: textile ecosystems under the open sky</image:title>
                                            <image:caption>Drying grounds in the artisan quarters of Bagru. The open sky and mineral-rich local groundwater provide the exact conditions natural pigments require.</image:caption>
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            <loc>https://artguideindia.com/journal/preserving-the-sacred-bronze-lost-wax-casting-swamimalai</loc>
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                    <image:title>Preserving the sacred bronze: the lost-wax casting of Swamimalai</image:title>
                                            <image:caption>The temple courtyards where bronze icons have been consecrated and carried in procession since the reign of Rajaraja Chola.</image:caption>
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